Produced by Dalian Jingyuan Culture Film and Television Media and distributed by Tianjin Yamazaki Film, the movie was a strict labor of love. The mother-and-son team spent five years crafting the animation frame by frame prior to its release date. The plot follows a newborn calf named Niu Lai, his mother, a skylark, and an orphaned leopard named Bao La. Niu Lai is portrayed as timid, afraid of snakes and crossing rivers, but he slowly learns responsibility after being separated from Bao La and losing his mother to a wolf attack.
The turning point for the film arrived when internet users began sharing clips of its incredibly rough 3D modeling. In an era saturated with highly polished AI generation, younger audiences found a strange authenticity in the completely hand-made, awkwardly executed project. The characters were voiced entirely by the director and his mother, who simply shifted their pitches to play different roles. This unrefined aesthetic prompted crowds to visit theaters purely out of reverse-curiosity, with theater staff even leaning into the joke by putting up hand-drawn posters warning viewers that refunds would not be issued.
The meme traction reached its absolute peak over a specific scene where Niu Lai trips over a rock. When he hands the stone to his mother, she yells a phrase that sounds identical to the word "semiconductor" in Chinese. Netizens widely circulated this clip as a piece of deliberate dark humor, rapidly accelerating ticket sales. The film's box office score later surged to 33.06 million yuan (approximately P303 million) according to the ticketing platform Maoyan. The craze even spilled into the cryptocurrency space, with a digital meme coin named "Niu Lai" launching on the BNB Chain and Solana networks in August 2026.
Despite the massive financial turnaround from days where it earned as little as 200 yuan, the theatrical run was cut short. Concerned that the movie might negatively impact the city's reputation, some local theaters in Dalian quietly pulled it from their screens. Xin Yumeng subsequently announced the end of the film's cinema phase on August 16, leaving behind a highly unusual box office legacy.